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Technical Studies of Asian Art未刊 ご予約承ります。
Title: Technical Studies of Asian Art Subtitle: Proceedings of the Seventh Forbes Symposium at the Freer Gallery of Art Author: Edited by Blythe McCarthy and Jennifer Giaccai and Matthew Clarke and Kesha Talbert Publisher: Archetype Publications ISBN: 9781916642089 Cover: PAPERBACK Date: 2026年04月 DESCRIPTION Commemorating the Freer Gallery of Art’s centennial, this volume of papers presented at the seventh Forbes Symposium offers a multidisciplinary examination of a rich expanse of art from across Asia. It presents technical studies of objects-from Chinese bronzes and Japanese lacquerware to Korean ceramics and silk paintings-analyzed through advanced scientific methods. Using a combination of traditional and cutting-edge methods, the studies reveal the secrets hidden within ancient materials. The essays highlight collaborative research between conservators, scientists, and art historians, revealing insights into material composition, degradation processes, and cross-cultural influences. They demonstrate how interdisciplinary approaches can enrich curatorial narratives and inform preservation strategies, while showcasing the evolving role of technical art history and conservation science in deepening our understanding of artistic practice and historical context. TABLE OF CONTENTS Foreword List of Contributors Introduction New Appraisals of Angkorian Copper-Based Metallurgy (Ninth to Fourteenth Century): Mines, Foundries, and Cast Products Brice Vincent and David Bourgarit Using Neutrons as a Probe for Technical Study of Solid- and Hollow-Cast Asian Bronzes Sara Creange, Francesco Cantini, Francesco Grazzi, Yueer Li, Lambert Van Eijck, and Nikolay Kardjilov Metallurgy in the Arc: Technological Choice and Resource Management Strategy during the Late Shang Period (ca. 1250-1046 BCE) Ruiliang Liu Decoration Techniques in Shang and Zhou Bronze Casting: Evidence from the Analysis of Ceramic Casting Molds Matthew L. Chastain, Jianli Chen, and Xingshan Lei The Characterization of Heavily Corroded Bronze Peter Northover and Donna Strahan Born to Kill? Metalwork Wear Analysis of Bronze Weapons in Late Shang China Qin Cao Production Insights into Jade, Bronze, and Turquoise Shang Ceremonial Weapons Ariel O’Connor, Donna Strahan, Katherine Eremin, Blythe McCarthy, Georgina Rayner, and Angela Chang Technical Investigation of Bronze Strip Inlay on an Eastern Zhou Bronze Vessel in the Collection of the Metropolitan Museum of Art, New York Marlene Yandrisevits, Federico Caro, Zhixin Jason Sun, Omid Oubdashi, and Adriana Rizzo A Technical Study of the Historical Text of Repairing Ancient Chinese Bronzes Ke-Shiuan Tracy Han, Sara Creange, and Ching Ling Wang Exploration into the Composition, Nanostructure, and Color Formation of Numbered Jun Glazes Lucy Cooper, Katherine Eremin, Susan Costello, Emeline Pouyet, Marc Walton, Andrew Shortland, Laure Dussubieux, Stephan Kraemer, and Jules Gardener Discovering White Porcelain: Cultural Integration and Technological Transformation Shan Huang and Ian C. Freestone A Technical Study of a Head Attributed to Hadda, Afghanistan Angela Chang, Katherine Eremin, H. Greg Lin, Georgina Rayner, Sarah Laursen, and Patrick Degryse Ultrasonic Velocity Measurements on Buddhist Clay-Based Sculptures Birgit Angelika Schmidt, Wanja Wedekind, and Lilla Russell-Smith Using Noninvasive On-Site Analysis to Decipher, Understand, and Compare the Enameling Techniques of Imperial Enameled Artifacts of the Qing Dynasty Philippe Colomban Many Colors, One Composition: Exploring Production Techniques through Replicating Qing Dynasty Realgar Glass N. Astrid R. Van Giffen, Robert A. Schaut, Lianne Uesato, and Gregory A. Merkel Comparative Analysis of the Stratigraphy of V&A Asian Lacquer Objects Valentina Risdonne, Lucia Burgio, Herant Khanjian, and Michael Schilling The Lacquered Skin of Guqin: Technical Studies of the Surface Coatings of a Traditional Chinese Musical Instrument Aidi Bao and Catherine Matsen Parthian Silver Rhyta in the Collection of the J. Paul Getty Museum: New Insights on Composition and Construction Jessica Arista, Susanne Gansicke, Monica Ganio, Erik Risser, and Marie Svoboda Chemical Composition and Granulation Techniques Used in Silla Gold Artifacts Shin Yongbi Comparison of Coating Behaviors on Japanese Metalwork Matthew L. Clarke, Blythe McCarthy, Shirley Z. Johnson, Lorrie A. Krebs, and Donna Strahan A Technical Study of Tobatsu Bishamonten, the Guardian of the North, with His Retinue, a Late Twelfth- to Early Thirteenth-Century Japanese Painting in the Collection of the Museum of Fine Arts, Boston Jacki Elgar, Anne Nishimura Morse, Richard Newman, and Tatsuya Yamauchi Combining Chinese and Western Pictorial Techniques: Seeing Leng Mei’s Paintings through Noninvasive Analysis Lei Yong, Li Guanghua, Gu An, Gao Xiang, Chen Lu, Lu Ying, Han Tong, Chen Yao, and Duan Peiquan On the Materials and Construction of an Iranian Twelfth-Century Copy of the Qur’an Nina Owczarek and Julie Ream Mapping Color in History: A Case Study of Pigments on Painted Palm-Leaf Manuscripts from South Asia Erin Mysak, Jinah Kim, Richard Newman, Katherine Eremin, Michiko Adachi, and Penley Knipe The Viceroys Gallery of Goa: Technical Study of an Indo-Portuguese Portrait Collection Teresa Reis, Sara Valadas, Ana Machado, Luis Piorro, Ana Cardoso, Fernando Pereira, Peter Vandenabeele, David Teves Reis, Ian de Noronha, Kishore Raghubans, and Antonio Candeias Pigments Used in Rajasthani and Deccani Pichwai in the Collection of the National Museum of Asian Art Jennifer Giaccai and E. Keats Webb Japanese Sugito: Investigation of Painted Decorations Reveals Unusual Copper-Based Green Pigments Beth A. Price, Richard Newman, Tim G. Fawcett, Katharine Shulman, Georgia A. Arbuckle-Keil, Federica Pozzi, Federico Caro, Daniel P. Kirby, Kate Duffy, Peggy A. Olley, Sally Malenka, and Felice Fischer Copper Green Pigments and Silk Deterioration in a Korean Buddhist Temple Banner Christina Bisulca, T. Joseph Leach, Zhongrui Li, and Aaron Steele The Characterization of Pig Blood-Based Binding Media in Traditional Polychrome Wooden Objects in Taiwan: A Case Study from the Longshan Temple in Lukang Yu Lee, Chun-Chieh Chen, Saskia Wu, Ching-Tai Wu, and Hsiao-Hsuan Chao Material Characterization of Two Chinese Painted Wall Fragments at the Yale University Art Gallery Marcie B. Wiggins, Anne Gunnison, Gabrielle Niu, and Aniko Bezur
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